Gallery > Provenance

Shervone Neckles, printmaking, polyester prints, silkscreen, black womanhood, caribbean artist, Grenada artist, Grenadian Artist, provenance, black female body, interdisciplinary artist, mixed media art, collage, embroidery, contemporary art, contemporary
Polyester Print & Textile Series
2019
Shervone Neckles, printmaking, silkscreen, black womanhood, caribbean artist, Grenada artist, Grenadian Artist, provenance, black female body, interdisciplinary artist, mixed media art, collage, embroidery, contemporary art, contemporary artist, caribbean
Polyester Print & Textile Series
2019
Shervone Neckles, printmaking, polyester prints, silkscreen, black womanhood, caribbean artist, Grenada artist, Grenadian Artist, provenance, black female body, interdisciplinary artist, mixed media art, collage, embroidery, contemporary art, contemporary
Polyester Print & Textile Series
2019
Domiciliation/Settle
Silkscreen print on velvet cloth
40in x 32in
2021
Domiciliation/Unsettle
Silkscreen print on velvet cloth
40in x 32in
2021
Provenance 1
Polymer print with embroidered thread surface & fabric trimming
15in x11in
2017
Provenance 7
Polyester print with embroidered thread surface, gold heat reflective foil film & glass beads
15in x11in
2018
Provenance 11
Polyester print with embroidered thread surface with Queen Nefertiti gold charm pendents
15in x 11in
2018
Shervone Neckles, printmaking, silkscreen, black womanhood, caribbean artist, Grenada artist, Grenadian Artist, provenance, black female body, interdisciplinary artist, mixed media art, collage, embroidery, contemporary art, contemporary artist, caribbean
Polyester print with embroidered thread surface, velveteen, glass beads and sequins
15in x 11in
2018
Provenance 25
Polyester print with embroidered thread surface, velveteen and sequins
16in x 11in
2019
Provenance 26
Polyester print with embroidered thread surface, copper film, and Nefertiti pendants
15in x 11in
2020

Provenance features a liminal figure maneuvering through space with a house structure worn as a headdress. The house structure is a replication of my maternal family home in Grenada, West Indies that dates back to the turn of the 19th century. By manipulating the surface of the polyester prints using mixed media techniques of collage and embroidery I explore concepts of past and present-day colonialism, and notions of provenance as it relates to origin, authorship and ownership.